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    BRAMA News and Community Press

    BRAMA, Oct 26, 2006, 9:00 am ET

    Crossroads: Modernism in Ukraine, 1910-1930
    Major Exhibition of Early 20th Century Ukrainian Modern Art

    Vasyl Yermilov
    Relief "A", 1920
    Wood and oil on plywood
    Collection of Konstantin Ivanovich Grigorishin, Kyiv

    Exhibition Catalogue

    Buy it online now >>>

    Crossroads: Modernism in Ukraine, 1910-1930
    November 5, 2006 - March 11, 2007

    The Ukrainian Museum
    222 East 6th Street
    New York, NY 10003
    T: 212.228.0110
    Hours: Wednesday-Sunday 11:30-5:00
    Admission: $8/adults; $6/seniors & students; children under 12/free.

    New York City — Crossroads: Modernism in Ukraine, 1910-1930, the first major exhibition of early 20th century Ukrainian art to be shown in New York City, opens November 5th at the new Ukrainian Museum, a state-of-the-art, 25,000-square-foot facility located at 222 East 6th Street. The exhibition will be on view through March 11, 2007.

    Featuring the best of high modernism from Ukraine, the exhibition includes more than 70 rarely seen works by 21 Ukrainian artists; each of the works is being shown for the first time in the United States. Examples from the Avant-Garde, Art Nouveau, Impressionism, Expressionism, Futurism and Constructivism movements are presented in a fresh, new light.

    Crossroads:  Modernism in Ukraine includes the works of well known artists such as David Burliuk, Alexandra Exter, and Kazimir Malevich as well as those of many artists still unknown to American audiences. Although the former are commonly associated with the Russian Avant-Garde, one of the revelations emerging from the exhibition is that much of what has been regarded as Russian modernism was, in fact, incubated in Ukraine.

    The works in the show range from huge oil canvases to graphic arts to theater and opera design.  The first impression is of an abundant use of color. Another striking aspect of the works is the way they mesh the past and the present, bowing to the influences of cultural traditions, but expressing them through modernism. The abstract works are rooted in the principles of Ukrainian folk art; they also resonate with Byzantine aesthetics, with medieval ecclesiastical art, and with the tensions inherent in classic 17th century Ukrainian Baroque.

    According to one of its organizers, Nikita Lobanov-Rostovsky, the exhibition is designed to show American audiences the talent and unique nature of Ukrainian Avant-Garde artists. "Viewers will be able to observe that not only Moscow and St. Petersburg were breeding grounds of new, non-objective art of the 20th century," he explains. "Form and color were combined also in Kyiv and Kharkiv, where these ideas prospered and succeeded since 1908.  Many "founding fathers" of this art in the Russian Empire of that time were Ukrainians born and bred."

    The works on exhibition are from the National Art Museum of Ukraine, the Theater Museum, and the Museum of Folk Art of Ukraine in Kyiv, the Art Museum of Dnipropetrovsk, and private collections. They were selected by Professor Dmytro Horbachov and Nikita Lobanov-Rostovsky, who are dedicated to preserving and disseminating knowledge about the Ukrainian Avant-Garde.

    The show was organized by the Foundation for International Arts and Education with the National Art Museum of Ukraine.  The Foundation, a non-profit organization was created to help preserve and protect artistic and cultural legacies in the countries of the former Soviet Union through exhibitions, financial support and education. The National Art Museum of Ukraine was founded in 1904 and has grown into a prestigious national institution, whose collections reflect the history of art in Ukraine.

    Anatol Petryskyi
    The Executioner, 1928
    (costume design for the opera Turandot)
    Watercolor and gouache on paper
    Collection of the State Museum of Theatre, Music, and Cinema Arts of Ukraine, Kyiv

    The Ukrainian Museum will be the second stop for this exciting exhibition, which opened this summer at the Chicago Cultural Center.  A richly illustrated, bilingual catalogue accompanies the exhibition. The catalogue includes essays, written by leading international experts, tracing Ukrainian artistic expression and experimentation over the years 1910-1930 while contextualizing the works that emanated from this period of prolific creativity.  Professor John E. Bowlt of the University of Southern California served as editor of the catalogue.

    As volatile as Ukraine's politics were in the months leading up to the recent Orange Revolution, so too was the cultural exuberance beginning with the turn of the century. This exhibition offers a taste of the electrifying energy of that period that soon ended with the Stalinist purges that decimated Ukraine.  A majority of the artistic output of this extraordinarily prolific period was destroyed and most of the artists forced underground, exiled, or executed. Through this show, examples of modern Ukrainian art offer a rare glimpse into a long-neglected area of modernist endeavor, of cultural endurance and creative freedom.

    The exhibition's national tour is sponsored by by The Boeing Company and Konstantin Grigorishin. Financial support has also been provided by AeroSvit Airlines;  Chadbourne & Park, LLP; Nour USA, Ltd.; Mykola M. Shymone; Oleksandr Tabalov; and The Trust for Mutual Understanding. Additional support has been provided by the Mission of Ukraine to the United Nations; the Embassy of Ukraine in Washington, D.C.; and the Consulate General of Ukraine in New York.

    The Ukrainian Museum, an institution showcasing Ukrainian culture and history, has been serving its constituency and the public since 1976 through exhibitions, educational programs, and public events. Its purpose is to preserve the cultural heritage of Ukrainian Americans and to document the contributions of Ukrainian immigrants to America's cultural treasury. In 2005 the Museum inaugurated its new facility with a dynamic retrospective exhibition of the works of Alexander Archipenko, a leading voice of Ukraine's modernist era.

    * * * * *

    Accompanying programs to the Crossroads: Modernism in Ukraine, 1910-1930 exhibition.

    To provide additional information and expand on the topic of the exhibition, the Ukrainian Museum will present lectures and films. On Monday, November 6th at 6:30 p.m. Professor Dmytro Horbachov, an authority on the avant-garde period in Ukraine and contributor of an essay on Kazimir Malevich to the exhibition catalogue, will deliver a lecture (in the Ukrainian language) entitled Formula for the Ukrainian Avant-Garde - Europe + the Village. Prof. Horbachov will also present his newly published book "He and I Were Ukrainian: Malevich and Ukraine."

    On Sunday, November 12th, at 2:00 p.m. Dr. Myroslava Mudrak, Prof. of art history at the Ohio State University, an expert on Ukrainian modernism in art and contributing author to the exhibition catalogue, will deliver a lecture on Color and Its Dynamics in Ukrainian Modernist Painting. Co-lecturer, Dr. Oleh Ilnytzkyj, Prof. of the Ukrainian language and literature at the University of Alberta, in Edmonton, whose expertise is Ukrainian modernism and avant-garde, will speak about The Verbal and Visual Arts in Ukrainian Futurism. Both lectures will be in English.

    Dr. Yuri Shevchuk, founder and director of the Ukrainian Film Club of Columbia University will introduce a selection of short contemporary Ukrainian films by Ukrainian filmmakers. The event, presented in conjunction with UFCCU will be held at the Museum on Friday, November 10th at 7:00 p.m.

    Copyright © 1997-2011 BRAMA, Inc. All rights reserved.
    The images and information contained in BRAMA News and BRAMA Press reports may not be published, broadcast, rewritten or redistributed without the prior written authority of BRAMA and/or author/photographer. The views and opinions of authors expressed on do not necessarily state or reflect the views of Brama - Gateway Ukraine or its officers, directors or associates.

    * * * * * * * * * * * * * * * * * *

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